Jenie Gao (they/she) is a full-time artist, creative director, and entrepreneur. They run an anti-gentrification arts business, specializing in printmaking, public art, social practice, and community storytelling. They consult for cultural organizations and the public sector on equity and ethics.
Jenie pulls from personal and professional experiences as a second generation Taiwanese-Chinese American, queer woman of color, and descendant of working class immigrants. Prior to founding their business, Jenie worked in the museum industry, public education, and manufacturing sectors. Through their cross section of experiences, Jenie has become attuned to issues of artists’ labor, cultural power, and institutional accountability. They run a paid apprenticeship program and have thus far mentored 25 emerging artists.
Jenie has a BFA in Printmaking/Drawing from Washington University in St. Louis and an MFA from Emily Carr University of Art + Design. Their work is in 40 institutional collections including Bainbridge Island Museum of Art, Princeton University, Cornell University, Stanford University, and the Library of Congress. Their recent exhibits include Museum of Wisconsin Art, Trout Museum of Art, Burnaby Village Museum, Cedarburg Museum, and South Bend Museum of Art. Their work has been included in publications such as PBS, Shoutout LA, and Fête Chinoise. Their art residencies include Women’s Studio Workshop in Kingston, New York; Art in the Park with Vancouver Board of Parks & Recreation: Decolonization, Art, & Culture; Ma’s House in the Shinnecock Reservation in Southampton, New York; Iowa Lakeside Laboratory in Okoboji, Iowa; the Bubbler at Madison Public Library in Madison, Wisconsin; Artist Campaign School in Chicago, Illinois; Proyecto’ace in Buenos Aires, Argentina; and Museo de Arte Moderno in Chile. They are a TEDx Madison speaker and gave a talk entitled "The Power and Purpose of Creativity."
Jenie Gao is the recently appointed Executive Director of Centre A: Vancouver International Centre for Contemporary Asian Art. They live on the unceded lands of the Musqueam, Squamish, and Tsleil-Waututh peoples, and are also based in Teejop (Madison, Wisconsin) on the lands of the Ho-Chunk peoples.
—Bio photo by Clare Yow.
Additional Info:
Header Image is of "The Negotiation Table: Cycle | Breaking and Making" Jenie Gao's installation of two woodblock prints of Pigeon and Fènghuáng, and a reclaimed Chinese Chippendale table with woodblocks embedded in its surface like inlaid jade. Photo by Khim Hipol.