February 6, 2026 - March 6, 2026
December 22, 2025
December 16, 2025
November 21, 2025
December 4, 2025 – January 17, 2026
October 11, 2025 - January 18, 2026
September 26, 2025 – November 14, 2025
September 26, 2025 – November 14, 2025
July 29, 2025
April 21, 2025
2024
August 17, 2024 – October 6, 2024
2024
April 23, 2024
2024
July 20, 2024 - October 27, 2024
July 30, 2024
July 19, 2024
June 9, 2024
June 4, 2024
February 3, 2024 - April 14, 2024
February 3, 2024 - April 14, 2024
March 29, 2024
February 3, 2024 - April 14, 2024
October 1, 2023 - December 31, 2023
August 31, 2023
March 9, 2023
October 10, 2022
January 25, 2023
January 10, 2023
January 2023
November 15, 2022
June 6, 2022
May 25, 2022
December 30, 2021
September 4, 2021
July 13, 2021
May 10, 2021
October 13, 2021
March 23, 2021
Feb 18, 2021
December 3, 2020
Dec 2, 2020
August 27, 2020
August 10, 2020
June 24, 2020
June 2, 2020
May 21, 2020
May 20, 2020
May 21, 2020
May 28, 2020
May 22, 2020
April 21, 2020
January 27, 2020
January 2, 2020
December 23, 2019
December 4, 2019
November 11, 2019
October 9, 2019
October 4, 2019
August 2019
July 2019
June 2019
June 2019
December 2018
November 2018
November 2018
October 2018
October 2018
September 2018
August 2018
August 2018
August 2018
August 2018
July 2018
July 2018
July 2018
June 2018
May 2018
May 2018
May 2018
Museum of Wisconsin Art | April 2018
April 2018
March 2018
March 2018
Spring 2018
February 2018
October 2017
March 2017
Spring 2017
February 2017
February 2017
January 2017
January 2017
December 2016
August 2015
January 2015
January 2015
March 2014
July 2012
September 2011
August 2010
July 2010
Additional Info:
Header Image is of "The Negotiation Table: Cycle | Breaking and Making" Jenie Gao's installation of two woodblock prints of Pigeon and Fènghuáng, and a reclaimed Chinese Chippendale table with woodblocks embedded in its surface like inlaid jade. Photo by Khim Hipol.